Historical background and fascinating insights into the composition and significance of Mozart's Symphony No. h�b```a``�b`e`��`�g@ ~�+P�����>�3c���D�Ũh�iyi�nJE������;if���� L*� Z�D1(�U��0����10�Fi �����W�q.���"�K�]|��S$�6�}]��{���aB�L�Wm���Ă2`Εd`�Ҍ@� � XD0? Historical background and fascinating insights into the composition and significance of Mozart's Symphony No. Since he didn’t, these three works stand as the summa of his achievement in symphonic music, and in their strikingly different characters we glimpse not only a drawing together of strands of development that had enriched his orchestral music to that point but also hints of what the future might have held. No. 40 in G minor, this final symphony seems in no great hurry even when its music is moving quickly. An arrangement of the work for piano, four-hands was published in England around 1820 with the sobriquet, but with no explanation. 1, written nearly 90 years after Mozart’s final Symphony, represents the 19th century. The summer of 1788 was a grim one for Mozart, marked by financial problems and the death of his six year old daughter Theresia. He undoubtedly had every expectation of living well into the nineteenth century; and although that is not what happened, at least he had another three and a half years in which he might well have written further symphonies. Mozart's final symphony was nicknamed the "Jupiter," and - like the planet and the Roman god that share its name - it still stands out as one of the greatest of its kind. Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. In fact, he has already stated it, in the Trio of the Menuetto, where we are not likely to have paid much attention to it. His book Chamber Music: A Listener’s Guide (Oxford University Press) is now also available as an e-book and as an Oxford paperback. - 0.0/10 2 4 6 8 10 (-) - V / V / V - 4635×⇩ - Caprotti. Violins install mutes for the slow movement (Andante cantabile), yielding a veiled timbre. Empreinte d’une grande sérénité et d’un haut pouvoir expressif, elle présente plusieurs éléments nouveaux dans son écriture. Other themes make their entrances one by one—not extended melodies so much as fleeting motifs, yet Mozart gives them all enough play to lend them familiarity. Near the exposition’s end Mozart injects the last of numerous themes to populate this movement, a lighthearted, skipping tune (self-borrowed from his concert aria “Un bacio di mano”) that, for all its simplicity, reveals a brilliant touch of orchestration. Symphony No. Program Notes Wolfgang Amadeus Mozart with his sister Maria Anna (detail), painted by Johann Nepomuk della Croce, c. 1780. The Marianne Williams Tobias Program Note Annotator Chair. Mozart probably wrote them for a series of concerts he planned to present in Vienna later that summer, or for a trip to London (which he never made), or perhaps both. Notes on the Program. 41, nicknamed “Jupiter” in 1788. Shostakovich’s Symphony No. J'AIME . It all passes quickly, leaving a listener amazed but bereft of the possibility of pondering what is happening while it is going on. The Occasion Franz Joseph Haydn lived in a time of great social change and political foment. 41 in C major, K. 551, on 10 August 1788. MP3 • • • Annoter cette partition. Mozart’s Jupiter Symphony, the final one he composed and his most famous, is known for its good humour, exuberant energy and unusually grand scale for a symphony of the time. James M. Keller is Program Annotator of the San Francisco Symphony and the New York Philharmonic. In the summer of 1788, Mozart found himself in financial despair. Mozart : “Symphony No. It may remind listeners of Mozart’s opera Le nozze di Figaro in its propulsive exuberance as well as the slyness with which it reveals its surprises. Analysts have sometimes described this movement as being rooted in the sarabande, a French courtly dance of the Baroque. 41 in C major, K. 551, on 10 August 1788. We are privileged to continue publishing his program notes. THE MUSIC In the Symphony No. This website uses cookies. K. 550 has always attracted attention and comment. One can only marvel at how this opening music takes on strikingly different characters when it recurs—for example, in the passage in the middle of the exposition where the opening “emphatic theme” is rendered by just first and second violins, playing softly in octaves beneath a chuckling filigree of scales from the flute and oboe (with a bit of support from the bassoons). I always look forward to playing this incredible masterpiece since there’s something new to discover with each interpretation. 40 on 25 July. The Trio section plays a joke on listeners by (as musicologist Peter Brown put it) “having the end of the phrase precede its beginning”; that is to say, the opening notes of each phrase sounds like a concluding cadence, while the notes that follow sound like they are revving up for that conclusion—whereas they themselves end up being the end. MOZART & HAYDN. 39 was completed on 26 June and No. Notes Possibly a pirated ed. Although we don’t know just when it was premiered, the Jupiter Symphony quickly earned a reputation as a work of exceptional qualities. Mozart composed Idomeneo for the Elector of Bavaria’s court in Munich French opera was popular, and a ballet sequence was mandatory; Mozart used a theme by Gluck for his first movement Rhythmic consistency and gorgeous melodies make this music perfect for dancing; During … The first two measures are for strings alone: first and second violins playing the melody in octaves, cellos accompanying with simple arpeggios, violas and double basses plucking pizzicatos on the opening beat of each measure. Mozart had planned a concert series at which the Symphony No. ... Sinfonie in E-flat KV 543: Score and critical report (in German) in the Neue Mozart-Ausgabe; Symphony No. It’s the kind of detailing that makes music great. He also makes much of the composer's Masonic connections. The symphony, in three movements, contains references to liturgical melodies. Symphony No. 41 in C major, K. 551, is, in terms of its architecture and the majesty of its gestures, an appropriate climax to the trilogy. THE BACKSTORY Mozart’s biography contains such an amazing procession of experiences and achievements that it reads almost like an eighteenth century novel. They stayed until October and, on their return trip home to Vienna, stopped at Linz, where Mozart’s patron Count Thun offered them his hospitality. Deutsch, Otto Erich (1965). The “Jupiter” has the traditional four movements of the Classical symphony. Mozart wrote only two symphonies in a minor key, one in 1773 and the other in 1788. of the piano part of Hummel's original arr. 41 in C Major, K. 551 | Runyan Program Notes 38 in D … 41, the so-called “Jupiter” Symphony, by Wolfgang Amadeus Mozart (1756–1791). The date of the first performance is not known. THE MUSIC In the Symphony No. Symphony No. Henry Hadley conducted. MOZART: Jupiter Symphony. WILLIAM GRANT STILL: Mother and Child. To be sure, the first movement bears a fast tempo marking, Allegro vivace; but its opening phrases are stately, their rhythms emphatic and their harmonic motion firmly anchored in the home key. The Symphony No. 39 was completed on 26 June and No. 41, as the final work, has no introduction (unlike No. 41 in C Major, K. 551, "Jupiter" Wolfgang Amadeus Mozart Mozart did not actually call his last and most famous symphony, completed on August 10, 1788, the "Jupiter." More than two centuries after they were written, these works—the Symphonies No. 40 in G minor, and No. Mozart would return to Salzburg alone and … Michael Steinberg, the San Francisco Symphony’s program annotator from 1979 to 1999 and a contributing writer to our program book until his death in 2009, was one of the nation’s pre-eminent writers on music. Symphony No. October 25 & 27, 2019 . Program Notes—A TANGO WITH MOZART. 41 in C Major, K. 551, ... 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